Three gods descend from the heavens in search of something truly rare: one good person. In the city of Szechwan, they find Shen Teh, a poor prostitute with a heart of gold, who agrees to take them into her humble home. As a token of gratitude, they gift her a sum of money that enables her to start a new life. But when goodness meets harsh reality, it becomes clear that a generous heart may come at a high cost. To survive, Shen Teh invents an alter ego: a tough cousin named Shui Ta, who can do all those things she herself wouldn't dare do. As she falls in love with a melancholic pilot, the internal rift between her two selves further deepens. Can one remain good in this world? And if so—at what price?

When the gods appear in disguise the only person who shows them hospitality is the young girl Shen Te and for this she is awarded by them. After a while she finds her new life has also brought new problems.

20 years ago, Park Joon-pil is the son of a mafia boss and Kang Tae-pyung is the son of a police officer. At the department store, while Kang Tae-pyung's dad attempts to arrest Joon-pil's dad, both the small boys become orphans. A fellow police officer takes in Joon-pil as his own son, thinking that the little boy is Tae-Pyung. Tae-pyung, however, is taken into an orphan home. Joon-pil knows he is a criminal's son. 20 years later, Joon-pil is an aspiring young police officer and Tae-pyung is a boxing bum. When Tae-pyung's best friend becomes unfairly murdered, he vows to become a police officer. Two years later, Joon-pil and Tae-pyung finally meet again. Rivals but friends at heart, these two guys learn to forgive the past and embrace the future

“A dispatch from the back-room of a museum” (Miranda Pennell). In this ghostly tale, Pennell turns her forensic eye to the history of the Dutch “cultivation system” in Indonesia. “I am a ghost returned to tell the tale from the place where the end began”, says the narrator, a stand-in for the many primates violently extracted from their jungle habitats to be exhibited in museums and fairs in Europe. Whilst previous works engaged with photographic archives, primarily those documenting the legacies of the British imperial project, A person of the Forest points to the interconnectedness of European colonialism, making use of the collections of the EYE film museum in Amsterdam, the Naturalis Biodiversity Centre in Leiden and the Artis Zoological Museum in Amsterdam.

A late night mini-cab driver's feeling paranoid and twitchy in this contemporary London noir starring Asim Chaudhry. Is sleep deprivation playing tricks on Shakil, or has he been sold out?

Salt Lake City homicide detective Caleb Barnes is under increasing pressure from all sides to crack a string of serial killings that have been terrorizing the city. At the same time, Barnes' home life is beginning to crumble in the wake of his son's accidental death. Will he solve the killings before the stress tears him apart?

A consumerist family tries to sway one of their members to take part in mass consumption.

A conscientious but driven Polish refugee disrupts the hierarchy of power on a Georgia farm in the 1940s.

Newly-sober, MARTY is attending AA meetings at the Road to Recovery Clubhouse. The clubhouse is run by CLEMENT, a "star" sponsor with a strong track record for keeping his sponsees sober. But Marty notices that, with disturbing regularity, the "weakest links" among Clement's sponsees keep flaming out spectacularly-- overdosing, committing suicide-- and Marty suspects that Clement is deliberately giving the most vulnerable a subtle kick and a shove over the edge. Clement is essentially a serial killer, but one that could never be arrested.

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